The riffs in Dragon, The View and Frustration are pretty good and the production is the best since Garage Inc disc 1. I see it as Lou Reed is doing what Lou Reed does and Metallica are doing what they do. Both are fine on their own terms, but sound weird when combined. I listen to this CD on a regular basis and I actually enjoy the weirdness. It’s good that bands take risks now and then.
Daily Rock and Metal News June 17, 2018
I agree with those who claim that Lou Reed and Metallica totally sound like two seperate entities moshed together in a very unnatural way, but while most people see this as a major flaw, i actually think of it as a very interesting, unique and unorthodox form of art which serves the sole purpose of reflecting the nature and spirit of the play. The album maintains consistency with its own asthetic approach and its own logic.
The desire to make new music was there but was muddied by internal tensions, Hetfieldâ€™s battles with addiction, and a bizarre decision to tell Hammett to forget about soloing this time around. Metallica (commonly known as The Black Album) is the fifth studio album by American heavy metal band Metallica, released on August 12, 1991, through Elektra Records. It was recorded in an eight-month span at One on One Recording Studios in Los Angeles. The recording of the album was troubled, however, and, during production, the band frequently came into conflict with their new producer Bob Rock.
And where â€œMetal Machine Musicâ€ differs from â€œLuluâ€ in turn is that the first was a genuine artistic experimentation in new, potentially powerful techniques, later proven by the artists that followed. And Lulu most assuredly is not. It pioneers no new style, instrument or technique. It’s unlistenable because it’s a shambolic vocal performance from Reed, whilst Metallica pound out half-baked jam sessions and shout about the infamous table. The table!
Yes, the song you most remember from this album is “Been Caught Stealing,” probably because it still gets plenty of airplay on rock radio today. But there’s a lot more going on here, with two songs clocking in at 20 minutes and winding their way through every imaginable emotion.
Daily Rock and Metal News June 19, 2018
And it’s catchy, too. While The Bends may take the title of Radiohead’s most musically accessible album, their follow-up, OK Computer, gave us something totally new, an influential sound that helped close out the 20th Century.
2003’s Elephant sort-of picks up where White Blood Cells left off, showcasing the eight-track garage-rock The White Stripes pride themselves on, but then evolving the band to new maturity with softer, acoustic songs such as “You’ve Got Her In Your Pocket” and “In The Cold, Cold Night.” The Stripes even get into interesting musical experimentation here with Jack creating the bass line on “Seven Nation Army” entirely on guitar (though you’d never know) and the Blues into rock transitions in “Ball and Biscuit.” And just the fact that they cover a Burt Bacharach song, “I Just Don’t Know What To Do With Myself,” which they tear apart and then make their own, makes the album worth of praise. Full of messages of loss, aging and death, Automatic For The People marked a significant change for R.E.M., who had spent most of their career as alterna-pop darlings with songs like “Orange Crush,” “Losing My Religion,” and “It’s The End Of The World As We Know It.” This album, however, contains more folky, reflective tracks, such as “Everybody Hurts” and “Nightswimming,” which show us the band has become aware of its own mortality.